To a first time visitor, Esie town in ifelodun local government area of
Kwara State may look ordinary, but inside the thick forest that surround
the ancestral home of the Igbominas lay
an ancient museum that houses the mystical Esie stone image which is yet to be
discovered by archeologist. To unravel the mystery behind the history of these
monumental images, researches were made about the ancestral home of the
Igbomina on the mythology surrounding the soap image.
Esie museum is situated in Esie town about 70 kilometers
southeast of Ilorin
in Kwara state. The museum is the first of its kind in Nigeria which
houses this mystical Esie stone image. The stone image which are known as “Esie
image” (Ere Esie) are the largest collection of stone carving in Africa. More than 800 of the images have been found under
the peregun groove, ranging from 14 centimeters to over one meter in height.
According to my research, an oral history has it that the
images in the days of old were human being who settled in the place around
1775. One day, the villagers were said to have been warned by the messenger of
God that nobody should go out on a particular day because he would visit the
people of the village and give them a special gift,. Everybody was said to have
complied with this instruction except the king of the village that went out
through the back door to harvest okro in his farm. When the messenger of God
came, he was angry that his instruction was not followed and instead of the
gift, he inflicted a curse on the people of the village to frozen, changing
them to images, according to the posture they had assumed as at the time of the
curse. These carved stone figures represent men and women with very elaborate
hair styles rendered with great accuracy in soft stone. Some were playing
musical instruments and many armed with machetes, some sitting on stools
wearing simple necklaces and bracelets. Some of the images also portray the
shape of people dancing, breast feeding and some doing one activity or the
other. The mystical existence of these stone images made people worship them in
those days by the people of Esie. Throughout the reign of 15 Obas of Esie,
there has been a festival for the images. Also at various time, supplications
accompany by sacrifices are presented to the images through the chief priest.
However, the worship of the effigy has ceased since the advent of modern
religion.
However, this oral history was said to be debunk by the traditional ruler of Esie, his Royal Highness Oba Yakub Babalola Agboola, Eegunjobi 11 who claimed that it was a mere fable. The traditional ruler said his fore-fathers came from Oyo State, settle at Oke Isanlu before finally relocating to where they are till today. He explained that Baragbon, a formidable hunter was the founder of Esie, when he discovers the images he alerted the king who later sent an emissary to verify the authenticity of the story before he went there to see it. The king thereafter sent someone from the palace to stay with the images for three days to ascertain whether they are spirits or an assembly of effigies. When it was realized that nothing happened to the person sent by the king, an ifa oracle was consulted as the normal practice in those days, “it was the oracle that said the objects were not harmful and it will bring good fortune to them in “future”. Nonetheless, the monarch said that nobody could say precisely how the soap images got there “but I can tell you authoritatively that our fore- fathers met the images at the current location”.
However, this oral history was said to be debunk by the traditional ruler of Esie, his Royal Highness Oba Yakub Babalola Agboola, Eegunjobi 11 who claimed that it was a mere fable. The traditional ruler said his fore-fathers came from Oyo State, settle at Oke Isanlu before finally relocating to where they are till today. He explained that Baragbon, a formidable hunter was the founder of Esie, when he discovers the images he alerted the king who later sent an emissary to verify the authenticity of the story before he went there to see it. The king thereafter sent someone from the palace to stay with the images for three days to ascertain whether they are spirits or an assembly of effigies. When it was realized that nothing happened to the person sent by the king, an ifa oracle was consulted as the normal practice in those days, “it was the oracle that said the objects were not harmful and it will bring good fortune to them in “future”. Nonetheless, the monarch said that nobody could say precisely how the soap images got there “but I can tell you authoritatively that our fore- fathers met the images at the current location”.
But if these images were discovered by Baragbon, you can
imagine that as at then there was no vehicle to transport them, putting into
cognizance how heavy some of these objects are, it is practically impossible to
carry it with the only means of transportation available then.
In view of all of these beliefs, the mystery behind Esie
images is that if a drop of water falls on any of the image, it will be forming
and this made it to be well known as Esie soap image. The soap images have been
in existence for over two hundred years; however, a careful analysis of these
carvings reveals starting contradictions! The more you look at the Esie wonder
soap images, the more you keep asking yourself some unanswered questions like:
who carved them and with what instrument was it made of? When? And how? To
those who believe that the images were brought from somewhere to the place, the
yet to be answered question is by what means? Since one of the object weigh
104kg. However, to those who said a curse was invoked on the people of the
village before they turned to soap images, in whose presence? In attempt to
answer these questions local myth has that the images were actually human being
that were turned to their present state by an angry god! and until these
questions are answer the Esie soap images will remain a mystery.
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